Creativity in Education
Posted on 29th October 2019 at 11:34
Earlier this month, the Durham Commission published its final report following a two-year review of Creativity in Education. The Commission is a collaboration between Arts Council England and Durham University. It aims to identify ways in which creativity, and specifically creative thinking, can play a larger part in the lives of young people from birth to the age of 19, both within and beyond the current education system.
The Commission brought together a diverse group from Education and the Creative Industries to act as Commissioners, chaired by Sir Nicholas Serota, CH, Chair of Arts Council England.
It gathered a wide range of evidence from various sources including:
A survey of over 1,000 stakeholders from business, education and the arts
A survey of headteachers and governors across the country
Meetings with stakeholders
A review of previous reports and initiatives into creativity and education
One-to-one interviews with the Commissioners
This research has enabled the Commission to explore key questions about the relationship between creativity and education such as, “How can creativity be recognised?” “What are the challenges and opportunities when embedding creativity in schools, and in the workplace?” And, “Who should be responsible for promoting creativity across the country?”
The Commission recommends that a national network of Creativity Collaboratives should be established to allow schools to collaborate in establishing and sustaining the circumstances and environment required for nurturing creativity in the classroom, across the curriculum
1: Establishing Creativity Collaboratives
A key recommendation is that a three-year pilot of nine Creativity Collaboratives should be established in each of the DfE regions with funding from a consortium including DfE, Arts Council and educational trusts, with a view to exploring additional funding from partnerships between DfE, industry and commerce
2: Barriers to teaching for creativity
The Commission recommends that Government, Ofqual and the awarding bodies work together to consider the role of examinations and how scholarship and craftmanship are recognised and rewarded in assessment frameworks.
3: Recognising the value of creativity
The Commission identified that schools who have successfully established and sustained conditions where creativity is nurtured should be championed and encouraged. The Commission suggests that success should be recognised in the Ofsted inspection process and that Ofsted should share good practice case studies of teaching for creativity in a range of subjects and across phases.
The Commission also suggest that Ofsted should also continue to refine the inspection framework to further decrease incentives to ‘teach to the mark’ and that there is more clarity that the inspection process is looking for “teaching for scholarship and craftsmanship, not merely exam-passing.”
"Throughout our research, the words most frequently associated with the exercise of creativity were imagination, freedom, expression, collaboration, and problem solving. The research findings also highlighted the importance of curiosity, perseverance and resilience."
4 & 5: Evaluating the impact of creativity
The Commission highlights the benefits to schools of taking part in PISA 2021 evaluation of creating thinking, and recommends that the DfE should support English schools’ participation in this in order to influence and shape future use of the framework.
The Commission also recommends a role for Higher Education institutions, in conjunction with the DfE, to work with the Creativity Collaboratives to “develop research-informed practice to evaluate creativity, looking at how creativity and creative thinking can be identified across disciplines, and how its impact can be measured.”
"There need be no conflict between knowledge and creativity in our education system. Indeed, the opposite is the case – creativity is founded on deep understanding. Every meaningful creative breakthrough in human history has been made by people with deep expertise, immersing themselves in the practices and problems of the field and finding new ways to see, act or behave."
6: Digital technologies, creativity and education
The Commission stresses that the English education system should support young people to engage creatively and critically with the digital technology that is now a substantial part of their everyday lives. Suggestions including additional funding from the DfE for training for school teachers in digital literacy and digital creativity, with time and resource committed to it. The Commission also suggests NESTA play a key role, by managing a pilot programme working with a mix of education, business and the cultural sector to explore how digital education in schools can help develop the creative digital skills most in demand by employers.
7: Creativity and the arts in schools
The Commission states its belief that “Arts and culture should be an essential part of the education of every child.” Its recommendations to achieve this include a funded National Plan for Cultural Education to be established by the DfE which will ensure all children access cultural opportunities in school alongside the new Plans for Music Education and Sport.
The Commission also suggests that the DfE should require schools to offer a full national curriculum at all key stages, but in particular at KS3 until the end of year 9 which would include the arts as a substantive part of the curriculum, not as an add-on.
Another recommendation is that the Artsmark scheme awarded by Arts Council England should be reviewed by ACE to make sure the value of creativity, arts and culture in schools is recognised. This should be achieved through ACE working with the DfE to evaluate the current provision of professional development opportunities for teachers in arts subjects and for the cultural workforce and freelancers who work with schools.
8: Creative beginnings: pre-school and the early years curriculum
The Commission identifies the importance of the purpose and place of creativity and teaching for creativity being recognised and encouraged in the early years (0-4). Recommendations include integrating creativity into the Early Learning Goals within the Early Years Foundation Stage by the DfE while establishing and funding effective training and CPD for the pre-school workforce. The Commission suggest reviewing the current Continuing Professional Development opportunities, qualifications and entry routes to the sector by 2021.
The Commission also identifies other key partners in Early Years creativity and suggests that the BBC, other media and broadcasting organisations alongside the DfE, should further develop quality early years content that encourages young children’s creativity alongside literacy and language development.
9: Creative opportunities out of school hours
The Commission also states its belief that in-school opportunities to develop creativity should be complemented by a range of opportunities to take part in creative activities outside of school hours. They recommend that Arts Council England work in partnership with youth sector organisations and social services to align and build on existing out of school provision to be creative in the arts, sciences and humanities. Routes identified include Saturday Clubs, Music Education Hubs, existing Arts Council programmes which support out of school hours activity, and the National Citizens Service.
10: Beyond school: creative opportunities and experiences in the world of work
The Commission identifies that young people need to be better prepared for the changing world of work particularly requiring the creative capacities that employers are looking for and which will enable them to be “resilient and adaptable, to pursue portfolio careers and engage in lifelong learning.” The Commission highlights that qualification frameworks should appreciate the value of creativity for the current and future workforce.
It suggests a review of the existing opportunities for developing creativity as a key capacity in emerging T level qualifications and existing Apprenticeship Standards by the Institute for Apprenticeships and Technical Education.
Tagged as: ARTS COUNCIL ENGLAND, ARTS COUNCIL REPORT, CREATIVE SUBJECTS, CREATIVITY, MUSIC AND YOUNG PEOPLE, MUSIC EDUCATION, MUSIC EDUCATION FUNDING, MUSIC EDUCATION REPORT
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