The Music Workshop Company Blog 

Each month the Music Workshop Company publishes two blogs. One blog, written by the MWC team addresses a key issue in Music Education or gives information about a particular genre or period of music. The other blog is written by a guest writer, highlighting good practice or key events in Music Education. We hope you enjoy reading the blogs. 
 
To contribute as a guest writer please email Maria@music-workshop.co.uk 

Posts tagged “FEMALE COMPOSERS”

Fanny Mendelssohn’s music is now reaching a wider public, having been overshadowed by her more famous brother, Felix Mendelssohn both during her lifetime and in subsequent years. Despite periods of her life where she was unable to compose, Mendelssohn established herself as a composer, conductor and performer in a largely male-dominated environment. Her life highlights some of the challenges female composers have faced throughout history.  
 
We explore her Piano Trio in D minor, Opus 11, which is suggested in the Model Music Curriculum as a piece suitable for Year 5, and offer some activities to help you study the composition. 
 
 
"Fanny-mendelssohn-9ba7472d-18ca-43cc-9f62-85362217db2-resize-750" by Wikiludiki is licensed under CC BY-SA 4.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/4.0/?ref=openverse. 
 
Photo credit: George Grantham Bain Collection (Library of Congress), restored by Adam Cuerden 
22nd April 2023 sees the 165th anniversary of the birth of Dame Ethel Smyth. Smyth is perhaps best known as the composer of the March of the Women, which became the anthem of the Women's Social and Political Union, part of the Suffragette movement.  
 
She was a radical, outspoken character who was not afraid to go against the grain – openly bisexual in a period where society was far from accepting, and battling to gain recognition as a female composer in a profession dominated by men. 
Electronic music is music that employs electronic and digital musical instruments and circuitry-based music technology. Pure electronic instruments like synthesisers, computers and the theremin have no sound producing mechanisms like strings or hammers, but electronic compositions also include electro-acoustic elements. 
June 11 2019 marks the 100th anniversary of the birth of composer Helen Tobias-Duesberg. 
 
Tobias-Duesberg produced a large and varied body of work. She was respected by her contemporaries and her work was regularly performed, yet few recordings exist and her name is not familiar. 
 
It would be easy to draw the obvious conclusion that this is because of her gender. The contribution of so many talented and successful women in the Arts has been marginalised. However the promotion of female composers ‘for the sake of it’ seems unhelpful in redressing the balance. It could also be argued that her origins in the former Soviet Union might play a part, though she spent most of her working life in the US. With those considerations in mind, the reason for this blog is that June 2019 marks the centenary of the birth of an interesting composer. 
A new survey by YouGov, commissioned by the Royal Philharmonic Orchestra (RPO), shows video games as an important access point for young people to experience classical music. 
 
The research, which included children aged six to 16, found that 15% said they listen to classical music “when it’s part of a computer game I’m playing”, while only 11% said “when I go to music concerts”. In fact, technology and screen-time seems to be the first place that many children hear classical music, with film tracks and television forming the basis for most exposure. 
 
[Image: Takosuke] 
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