The Music Workshop Company Blog 

Each month the Music Workshop Company publishes two blogs. One blog, written by the MWC team addresses a key issue in Music Education or gives information about a particular genre or period of music. The other blog is written by a guest writer, highlighting good practice or key events in Music Education. We hope you enjoy reading the blogs. 
 
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To contribute as a guest writer please email Maria@music-workshop.co.uk 

Posts tagged “MUSIC HISTORY”

The first piano was made some time during the late 1600s or early 1700s by the Italian musical instrument maker Bartolomeo Cristofori.  
 
These early instruments were called clavicembalo col piano e forte, which translates as harpsichord with soft and loud.  
 
This description is how the piano got its full name; the pianoforte. 
Jazz standards are musical compositions that form a fundamental part of the repertoire and language of jazz.  
 
They are often performed and recorded, and are therefore widely known to listeners.  
 
They are also used within education to introduce key musical concepts such as certain chord progressions and modes. 
 
The BBC have launched this year’s BBC Young Composer competition. Previously known as the BBC Proms Inspire Competition and the BBC Young Composer of the Year, the annual competition is open to composers aged between 12 and 18 from across the UK. Winners take part in a development programme and work with a mentor composer on a composition for the BBC Concert Orchestra, to be performed at the BBC Proms in 2021 in a special young composers concert. The closing date for entries to the competition is 5pm on Thursday 11 June 2020. 
1920 was a busy year for Stravinsky and Diaghilev with the premiere of the ballet Le Chant du Roissignol on 2nd February and the premiere of Pulcinella on 15th May. 
 
Stravinsky first worked with Diaghilev on L’Oiseau de Feu (The Firebird) in 1910.  
 
The work is of interest both as Stravinsky’s breakthrough piece and as the beginning of one of the most well known collaborations in the ballet world. 
December 2020 marks the 250th anniversary of Beethoven’s birth. 
 
The event seems to have split the Classical Music community.  
 
Some individuals and organisations see the occasion as an opportunity to celebrate Beethoven’s musical achievements.  
 
Others suggest that Beethoven’s music is popular enough and performances and recordings of it are already so plentiful that audiences should be exploring new repertoire and lesser known composers, and particularly work by underrepresented groups. 

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