The Music Workshop Company Blog 

Each month the Music Workshop Company publishes two blogs. One blog, written by the MWC team addresses a key issue in Music Education or gives information about a particular genre or period of music. The other blog is written by a guest writer, highlighting good practice or key events in Music Education. We hope you enjoy reading the blogs. 
 
We embed multimedia content in many of our blog posts, if you have rejected cookies for this website, you may have white spaces where the multimedia content should be. This is due to a recent change of policy by YouTube, Spotify and other platforms. We are in the process of updating all our posts. If you come across white spaces in a blog post, you can open the link in another browser or private browser and approve cookies to access all the content. We are sorry for any inconvenience this causes. 
 
To contribute as a guest writer please email Maria@music-workshop.co.uk 

Posts from August 2019

Figures released by the Joint Council for Qualifications on 22nd August, as GCSE results were announced, showed that although applicants for GCSE Art and Design and Performing Arts increased, overall, the number of students taking GCSEs in Creative subjects, (defined as define arts subjects as Art & Design, Dance, Design & Technology, Drama, Media/Film/TV Studies, Music and Performing/expressive arts), has decreased. 
Clara Wieck was born in Leipzig in September 1819. Although for decades she has been predominantly known as the ‘wife of Robert Schumann,’ her contribution to music as a performer, composer and inspiration was immense. 
 
As a woman in a male-dominated world, she gives us a fascinating glimpse into creative relationships, and perhaps a sense of what other women could and did achieve, despite the familiar list of traditionally male historic composers. 
 
She is to be celebrated for her own achievements, for the support she gave to Schumann and Brahms amongst others, and for the lost voices of many other women who were unable to achieve the same level of emancipation. Notably, while Clara’s work has often been marginalised by claims that her husband was the ‘real’ composer behind her work, she earned most of the money in the Schumann household, which was extremely unusual for the time, and her pieces were more popular than his. 

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